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Healing

The Second Merseburg Charm

Also called Bone to bone charm, Phol and Wodan charm

A short Old High German verse in which gods heal a horse's sprained leg, joining bone to bone and blood to blood. Recited today as a folk blessing for mending; it is not medical care, so see a doctor or vet for any injury.

TraditionOld High German pre-Christian charm
RegionGermany
Era9th to 10th century (manuscript)
Moon☽ Waxing moon
DayAny
ElementEarth
Difficulty●○○ Simple
Time5 minutes

Tonight's moon is read when the page loads.

The working

  1. Learn the shape of the charm: a story of the injury, then a list of things joined back together, bone to bone, blood to blood, limb to limb.
  2. Hold the wool thread and tell the story aloud in your own words, naming the hurt as the old charm names the foal's sprained foot.
  3. Tie a loose knot in the thread at each joining you name, until there are nine knots.
  4. Close by saying the charm's ending: as if they were glued together, so may it mend.
  5. Tie the knotted thread loosely around a bedpost, a tool handle or a photo of the person or animal, never tight around a living limb.
  6. Follow the advice of a doctor or vet. The charm is a blessing to sit beside real treatment, never instead of it.

Take care: Folk tradition only, not medical treatment: see a doctor for a sprain or suspected fracture, and a vet for a lame animal. Never tie thread tightly around a limb, since it can cut off circulation.

Versions across time and place

i

Shetland wresting thread

Scottish folk healing, Shetland · 18th to 19th century

A healer tied a black wool thread with nine knots around a sprained limb while murmuring a rhyme in which the Lord rode and the foal slid, then asked for healing in the name of the Holy Ghost. The thread was called the wresting thread and was left in place until the sprain eased.

Uses: black wool thread, nine knots

Recorded in: Recorded in Shetland folklore collections and cited in studies of the Merseburg charms
ii

Norwegian Jesus and the colt

Norwegian Christian folk charm · 1787 record

Here Jesus rides to the heath, his colt breaks its leg, and he joins marrow to marrow and bone to bone. A twentieth-century version from Møre swapped in Saint Olav. It shows the same story carried for a thousand years with new holy names.

Recorded in: Hans Hammond text of 1787, used by Jacob Grimm in his comparisons
iii

Swedish Saint Peter's horse

Swedish folk charm · 1672 record

Our Lord dismounts to heal Saint Peter's horse, joining blood to blood and joint to joint. Swedish horse doctors and wise folk used charms like this for lame animals into modern times.

Recorded in: Swedish charm recorded 1672, cited in Merseburg charm scholarship
iv

Atharvaveda hymn to Rohini

Vedic India · c. 1000 BCE or later

A Sanskrit hymn calls on a healing herb to grow together severed bone, marrow, joint and skin. Many scholars see a shared Indo-European pattern behind it and the Merseburg verse, though some dispute the link.

Uses: a healing herb

Recorded in: Atharvaveda, Book IV, Hymn 12

History

The two Merseburg Charms were found in 1841 by the historian Georg Waitz in a theological manuscript, originally from Fulda, kept in the cathedral library at Merseburg in Saxony. Jacob Grimm published them in 1842. They are the only surviving pre-Christian charms in Old High German, written down by a monk in the ninth or tenth century on a blank page of a church book.

The second charm tells how Phol and Wodan rode into the woods and Balder's foal sprained its foot. Goddesses including Frija and Sunna sing over it without success, and then Wodan, who knew the craft best, sings it whole. Its closing list of joinings is echoed in later Christian horse charms from Norway, Sweden, Scotland and elsewhere, making it a classic example of how a healing formula survives by changing its saints.

Sources

  1. Merseburg charms · Wikipedia contributors, 2025
  2. Über zwei entdeckte Gedichte aus der Zeit des deutschen Heidentums · Jacob Grimm, 1842
  3. Carmina Gadelica, Volume 2 (sprain charms 130 to 132) · Alexander Carmichael, 1900

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