Also called fu, fulu, taofu peach-wood charm, bujeok, ofuda
Written charms on red or yellow paper, or on peach wood, pasted at the door or carried, to keep harmful spirits out of a home in Chinese tradition.
TraditionChinese Daoist and popular religion
RegionChina, with related forms in Korea and Japan
EraHan dynasty to present
Moon◐ Any moon
DayAny
ElementFire
Difficulty●○○ Simple
Time20 minutes
Tonight's moon is read when the page loads.
The working
Sweep and tidy the entrance first; in Chinese custom a door charm goes up on a clean house, often just before the Lunar New Year.
Write the character 福 (fu, good fortune) large on the red square, or a short wish for peace on the household.
Paste it on the front door, many families hang it upside down because the word for upside down sounds like the word for arrived, so fortune has arrived.
If you want a true protective fu, ask at a Daoist or folk temple; these are written and consecrated by trained priests and are not meant to be copied by outsiders.
Place a temple talisman above the inside of the door or keep it folded in a wallet or car, as the temple directs.
Replace the charms each New Year. Old temple talismans are usually returned to the temple or burned respectfully.
Take care: Do not grind or handle real cinnabar; it is mercury sulphide and toxic. Use ordinary red ink. Treat temple-issued talismans with respect and follow the temple's own instructions for disposal.
Versions across time and place
i
Peach-wood boards and the door gods
Han dynasty China · 2nd century CE record
Han households hung boards of peach wood by their gates painted with Shentu and Yulü, two spirit guardians said to seize harmful ghosts. These taofu are counted as the ancestors of both door gods and the red spring couplets still pasted around Chinese doors at New Year.
Recorded in: Ying Shao, Fengsu tongyi (late 2nd century)
ii
Daoist talismans of Great Peace
Early medieval and Ming Daoism · Medieval to 15th century
Espesset traces fu from portable protective charms to tools of formal Daoist ritual, using five talismans preserved in the fifteenth-century Daoist Canon. In this priestly setting the talisman is a kind of contract with heavenly powers, written in a stylised script ordinary readers cannot read.
Recorded in: Grégoire Espesset, 'A Case Study on the Evolution of Chinese Religious Symbols from Talismanic Paraphernalia to Taoist Liturgy', BSOAS (2015)
iii
Korean bujeok
Joseon Korea · 19th century
Korean bujeok are written in red ink, traditionally cinnabar, on yellow paper and hung over doors or carried. The Penn Museum holds a Joseon-era book of sixty such designs, built from distorted characters and stylised constellations.
Recorded in: Penn Museum, protective talisman manuscript, object 31577
History
The written charm is one of the oldest threads in Chinese religion. Excavated texts and Han dynasty records show people pasting signs and painted figures at gates to keep illness-bringing spirits out, and the peach tree was believed to frighten ghosts. Late Han religious movements, including the Way of the Celestial Masters, used talismans burned and dissolved in water for healing. Over the following centuries fu became central to Daoist ritual and were copied into the Daoist Canon.
Talismans remain part of daily life across the Chinese-speaking world, Korea and Japan, where shrine-issued ofuda play a similar role. In temples they are written by ordained priests with prescribed strokes, incantations and seals, and that priestly practice is a living tradition rather than a craft for outsiders. The good-fortune character and spring couplets hung by ordinary families each New Year are the open, household side of the same old idea.