Also called sprig of rue charm, cima di ruta, rue amulet, Neapolitan cimaruta
A silver charm from Naples shaped like a branching sprig of rue, with tiny symbols such as a key, a crescent moon, a heart and a hand hanging from its tips. It was traditionally hung over a baby's bed or worn to ward off the evil eye.
TraditionSouthern Italian folk magic (Naples)
RegionNaples and southern Italy
EraRecorded in the 19th century; described by Elworthy in 1895
Moon☽ Waxing moon
DayMonday · Moon
ElementEarth
Difficulty●●○ Moderate
Time20 minutes
Tonight's moon is read when the page loads.
The working
If using a silver charm, rinse it in salted water and dry it. If using real rue, put on gloves before you cut or touch it.
Hold the charm and count its branches and symbols, naming what each one guards: the key for the home, the moon for women and mothers, the heart for love, the hand for strength.
Ask that no envious or ill-wishing eye fall on the person it is for.
Hang the silver charm above a child's bed out of reach, wear it on a chain, or tie the gloved-cut rue sprig with red ribbon and place it in a cloth bag.
Keep the dried rue sachet near the front door rather than on the body.
Replace a rue sprig when it crumbles, and polish a silver charm when it tarnishes.
Take care: Fresh rue (Ruta graveolens) can cause painful blistering burns when its sap touches skin that is then exposed to sunlight. Always wear gloves, never rub it on skin, and never take rue internally; it is toxic and especially dangerous in pregnancy.
Versions across time and place
i
Child's cradle charm
19th-century Naples · 1800s
Elworthy, who collected amulets on repeated visits to Naples, called the cimaruta the most distinctive Neapolitan charm against the evil eye, so familiar that locals rarely described it. Silver examples were hung over cradles or worn by children, who were thought most at risk from the jettatore, the caster of the evil eye.
Recorded in: F. T. Elworthy, The Evil Eye (1895), chapter on the cimaruta
ii
Günther's study of its parts
Folklore scholarship · 1905
Günther compared many examples and showed how the symbols varied by maker and region: keys, moons, hands, hearts, flowers, fish, snakes and cocks. He treated the charm as a cluster of separate protective signs gathered on the rue branch.
Recorded in: R. T. Günther, The Cimaruta: Its Structure and Development, Folk-Lore (1905)
iii
Witchcraft emblem reading
Modern Stregheria and Italian-American witchcraft · 20th to 21st century
Raven Grimassi argued the cimaruta began as a badge of a witches' society devoted to Diana, with Christian symbols added later. This is a minority view drawing partly on Charles Leland's Aradia (1899); mainstream folklorists treat it as a Catholic-era folk charm.
Recorded in: Raven Grimassi, The Cimaruta (2012)
History
Cimaruta is Neapolitan for cima di ruta, sprig of rue. Rue was a powerful herb in Italian folk medicine and was linked to childbirth and to warding off the evil eye, the malocchio, so a silver branch of it made a natural base for other protective signs. Each charm carries a mix: commonly a key, a crescent moon, a flower, a heart, a hand and sometimes a fish, snake or cock. Examples collected in Naples in the late 1800s are now in British museum collections, including the Pitt Rivers Museum in Oxford.
The English antiquary Frederick Thomas Elworthy gave the cimaruta a full chapter in his 1895 book The Evil Eye, and R. T. Günther studied its structure in the journal Folk-Lore in 1905. Both saw it as a children's charm in a city where infant deaths were often blamed on the jettatore. In the late 20th century, Italian-American and Stregheria practitioners adopted it as a witch's emblem, a reading Raven Grimassi set out in 2012. Today it is worn by Italian families and witches alike.